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DJ MK "Above Board" at Fabric, London, Friday 21st July 2006
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While we are all bombarded on a daily basis by the growing hype of US hiphop artists, it is easy for even some of the UK's strongest material to slip under the radar, for your thumb to scroll past it almost obliviously whilst scrolling your itunes...
However all hope is not lost. The likes of Kanye West and Eminem may dominate the mainstream media, but an increasing number of music listeners are seeking out good old British hiphop. The long awaited DJ MK night at London's Fabric had 100's of clubbers taking the tube to Faringdon on Friday 21st July. We sent our man Ed Andrews to give us his verdict on what promised to be the night of the month on the UK hiphop calender...

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The smokey ambience of the fluorescent dungeon maze of Fabric creates an amazing atmosphere from the moment you step in. I arrived relatively early as an anonymous DJ was kicking out some Ragga-style beats as I chilled out with a beer on the leather sofas watching the increasingly diverse crowd expand to modestly fill the venue for the launch of DJ MK's latest album, "Above Board". Typical of British hiphop DJ's, he would not be launching it alone...MK brought with him a line-up which read almost like an A-Z of British DJ and MC talent to help the night along....

Sarah Love began her set with the humorous and ironically self-assured ‘Move bitch, get out the way’ and continued to command the stage with a barrage of old and not-so-old favourites. A few more unfrugally priced beers got the night fully underway as I spent a while clocking punters skinning up with impunity and chatting to a bloke lying on a sofa next to me who was “rushing off his tits, mate.” Further exploration was necessary so I wandered through the early evening calm into the drum’n’bass room where DJ Majik was whipping up a human storm with some incredibly lofty bpm's. After getting thoroughly involved in the mayhem of rhythmically flailing limbs, I made my way to the smaller third room to find some thumping tunes of what I can only describe as breakbeat electronica. The place home to some thoroughly serious heads throwing shapes whose sole purpose was to just get down with colossal proportions – and who can argue with that?

Soon enough however, the main event was due and I scurried back to the balcony to oversee DJ MK make his entrance exhuding immense confidence with some skilful and very crowd-pleasing turntablism. The night’s first MC, Pyrelli, got the crowd warmed up before Kyza from Terra Firma came on to raucous applause, spitting his machine gun rhymes with sniper precision and sending the crowd into a frenzy. Shameless and TB competently took their set in their stride, then it was the turn of the High Plains Drifter himself, Jehst. The self-professed ‘scruffy little man from the wasteland’ darted from one side of the stage to the other, upping the energy whilst faithfully flanked by his wingman, Kashmere the Iguanaman. However, he managed to duck out early and swiftly declined an encore to which the crowds disappointment was almost palpable.

It was the turn of Mr Ti2bs to lift spirits and he rose to the occasion magnificently with an electrifying mixture of progressive beats and a stage presence that made the place feel like one big house party! Mr Ti2bs was certainly a man who dominated the stage and loved every second of it. Jehst somewhat reluctantly returned to the fray but redeemed himself with an immensely dope beat laden with a heavy, heavy bassline. Sweet smoke and the crowds delight filled the air as Jehst flowed effortlessly into another scratch skit from MK. Doc Brown resumed proceedings armed with his magical baseball cap that managed to rotate a full 360 degrees throughout his set. Norris McWhirter was also present to confirm that he had managed to get into the Guinness Book of Records for most plugs for his new EP in the shortest space of time ever – quite some feat indeed! However, he can be forgiven as he provided a very ballsy performance that put his skills beyond question.

By this time the previous weeks fatigue had set in and I accepted that I was never going to make it until the end of Fabric's generous opening hours (5am). I made my exit through hoards of clubbers gathering liberally on the stairs and the bouncers helpfully guided me into a taxi home where I was safe in the knowledge that UK hip hop is going from strength to strength. In the words of that archetypal Shoreditch twat, Nathan Barley, “Watch the fuck out people! Watch the fuck out..."

Ed Andrews, July ‘06
Step-On Magazine



www.fabriclondon.com


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